
Daniella Romano
Daniella is an art historian and writer from London, UK. She holds an MA in Critical and Curatorial Studies of Contemporary Art from National Taipei University of Education and a BA in History and History of Art from the University of Nottingham. Her research interests include cartography and East Asian art, as well as the role of colonial narratives present in contemporary art. She also runs her own website, Artographic.
Articles by Daniella Romano

Produced during Korea’s Joseon Dynasty (1392-1897), its last and longest dynasty, Joseon porcelain reflects art, life, and societal values.

The Japanese Colonial Period (1910-1945) saw the development of Korean art according to Western standards — but how did Korean artists react to these changes?
The Japanese Colonial Period (1910-1945) saw the development of Korean art according to Western standards — but how did Korean artists react to these changes?

Though it is rarely highlighted on travel itineraries, Taiwan is a treasure trove for anyone interested in art.
Though it is rarely highlighted on travel itineraries, Taiwan is a treasure trove for anyone interested in art.

South Korea has many sites that embody stories of its past, from majestic stone parks to ocean-side temples.
South Korea has many sites that embody stories of its past, from majestic stone parks to ocean-side temples.

Rare Buddhist paintings from the Goryeo Period in Korean art can tell us much about the religion and society of the time.
Rare Buddhist paintings from the Goryeo Period in Korean art can tell us much about the religion and society of the time.

How did the development of celadon in Korean art encapsulate a huge shift in art and society during the Goryeo Period?

Revealing the secrets of Korea’s ancient past, burial mounds from its Silla Period (57 BCE - 935 CE) are treasure troves filled with unique and dazzling artifacts.
Revealing the secrets of Korea’s ancient past, burial mounds from its Silla Period (57 BCE - 935 CE) are treasure troves filled with unique and dazzling artifacts.

Popular perceptions regarding the mysteries of the deep and sea monsters are revealed within the cartography of Renaissance maps.

Despite their seemingly factual nature, Renaissance maps are considered significant art objects. How can we best read them to understand more about this period?
Despite their seemingly factual nature, Renaissance maps are considered significant art objects. How can we best read them to understand more about this period?