10 Famous Tales from Ovid’s Metamorphoses

Ovid’s Metamorphoses is an epic poem that retells over 250 mythological tales from the world’s creation to Julius Caesar’s deification.

Jul 2, 2023By Rhianna Padman, BA Classics

metamorphoses ovid tales

 

The central theme of the poem is change, transformation, and the power of imagination and storytelling. Ovid explores the idea that everything is in a constant state of flux and that nothing remains the same for very long. He uses mythological stories to highlight the fluidity of identity and the transformative power of love, loss, and grief. Many of the stories feature characters undergoing physical or emotional transformations, whether through the intervention of the gods, the power of desire, or the natural course of time. While warning about the dangers of excess, hubris, and pride featuring characters who are punished for their arrogance or overconfidence and transform as a result. These transformations often serve as a warning against the dangers of succumbing to one’s desires.

 

1. Apollo and Daphne

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Apollo and Daphne by Galleria Borghese, 1622-1625, via Borghese Gallery

 

In Book 1 of the Metamorphoses, Apollo, the god of music, poetry, and prophecy, is struck by Cupid’s arrow and becomes infatuated with Daphne, a nymph who, due to her devotion to the goddess Diana, wished to remain chaste. Despite her constant rejections, Apollo continued to pursue Daphne, who finally prayed to her father, the river god Peneus, for help. In response to her prayer, Peneus transformed Daphne into a laurel tree. Apollo adopted this as his sacred tree, making it a symbol of victory, honor, and poetic inspiration.

 

Some have interpreted the myth as a cautionary tale about the dangers of unbridled passion, while others have seen it as a celebration of the power of artistic creation and the transformative power of nature.

 

2. Narcissus 

narcissus caravaggio
Narcissus by Caravaggio, circa 1600, via Barberini Gallerie Corsini Nazionali

 

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Book 3 contains the famous myth of Narcissus, a handsome youth admired by many but remained indifferent to their affections. Wandering in the forest, he came across a pool of water and saw his reflection for the first time. He became captivated by his own beauty, fell in love with his reflection, and spent all his time gazing into the water, neglecting all other aspects of his life. Eventually, he realized that he could never be with his reflection and became despondent, dying from a broken heart.

 

The tale warns of the dangers of vanity, self-obsession, and the illusions of love. In psychology, the term narcissism is used to describe a personality disorder in which an individual has a grandiose sense of self-importance, a need for admiration, and a lack of empathy for others.

 

3. Diana and Actaeon

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Diana and Actaeon by Alessandro Turchi, 1600, via AKG Images

 

Later in Book 3, the story of Actaeon is told. Actaeon, a skilled hunter, happens upon a grove where the goddess Diana and her attendants are bathing. Beholding Diana naked, Actaeon immediately becomes smitten with her beauty and continues to watch the goddess. Diana, furious that a mortal has seen her in this vulnerable state, punishes Actaeon by transforming him into a stag, ultimately causing his hunting dogs to turn on him and kill him.

 

The myth has been understood as a warning about the dangers of lust, voyeurism, and the consequences of violating religious boundaries.

 

4. Pyramus and Thisbe

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Thisbe by John William Waterhouse, 1909, via Wikimedia Commons

 

Pyramus and Thisbe were two young lovers who lived in adjoining houses in Babylon. As their families kept them from seeing each other, they communicated secretly through a crack in the wall between their houses. This way, they planned to meet under a mulberry tree outside the city. Thisbe arrived first. However, upon seeing a lioness with blood on her mouth, she dropped her veil, which the lioness ripped to shreds, and fled. When Pyramus arrived and saw Thisbe’s torn veil, he thought that she had been killed and committed suicide. Thisbe later returned to find Pyramus dead and took her own life too.

 

The myth expresses the dangers of family conflict, the consequences of forbidden love, the power of love to transcend social and cultural barriers, and the tragic consequences of misunderstanding and miscommunication. The story has inspired many artistic works, including paintings, sculptures, and literary works, such as the infamous play “Romeo and Juliet”.

 

5. Perseus and Andromeda 

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Perseus and Andromeda by Charles André van Loo, 1735-40, via Harvard Art Museums

 

In Book 4, the myth of Perseus and Andromeda is recounted. Andromeda’s mother, Queen Cassiopeia, had boasted that her daughter’s beauty surpassed that of the Nereids, the sea nymphs. This angered Poseidon, who retaliated by sending a sea monster to ravage the kingdom’s coast. An oracle of Ammon informed the king and queen that the kingdom could only be saved by sacrificing Andromeda to the monster. Upon spotting Andromeda chained to a rock on the coast, Perseus learned of her fate, became enamored, and vowed to save her. Using the severed head of Medusa, Perseus turned the monster to stone and freed Andromeda.

 

6. Arachne

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Minerva and Arachne by Antoine Houasse, 1706, via Palace of Versailles

 

Arachne was a gifted mortal weaver who challenged Minerva — goddess of wisdom, handicrafts, and warfare — to a weaving competition. Arachne’s exceptional weaving skills and claim that she surpassed Minerva in her craft enraged the goddess, who accepted the challenge. The competition began, with each weaver creating a tapestry showcasing their artistic abilities. Minerva wove a magnificent tapestry depicting her triumphs, while Arachne wove a tapestry that mocked the gods and depicted their infidelities and immoral behavior. Upon seeing Arachne’s irreverent tapestry, Minerva destroyed it and transformed Arachne into a spider, cursing her to weave intricate webs for all eternity.

 

The myth warns of the dangers of hubris and the consequences of challenging the gods.

 

7. Daedalus and Icarus 

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Daedalus and Icarus by Anthony van Dyck, 1615-25, via Wikimedia Commons

 

The myth of Daedalus and Icarus is a well-known tale that has captured the imagination of people for centuries. Daedalus, a skilled craftsman and inventor, was imprisoned by King Minos on the island of Crete. To escape captivity, Daedalus crafted wings of feathers and wax for himself and his son Icarus. Daedalus warned Icarus not to fly too close to the sun or too close to the sea, as the heat from the sun would melt the wax, and the dampness of the sea would make the feathers too heavy to fly. Excited by the exhilaration of flight, Icarus ignored his father’s warning and flew too close to the sun. The wax on his wings melted and caused him to fall and drown in the sea.

 

Some have viewed the tale as a warning against hubris and disobedience, while others have seen it as a metaphor for the dangers of overreaching and ignorance. In the Renaissance, the myth was often depicted in art and literature, with artists portraying the moment of Icarus’s fall and Daedalus’ grief.

 

8. Orpheus and Eurydice

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Orpheus and Eurydice by Edward John Poynter, 1862, via Christie’s

 

Orpheus possessed the gift of enchantment through his song and lyre. He fell in love with the beautiful Eurydice, and they were married happily for a short while. Soon after, Eurydice was bitten by a snake and died instantly. Orpheus’ melodic lamentations moved earth, heaven, and hell, and soon he decided his only choice was to descend to the Underworld. Playing his lyre for Hades and Persephone, he moved the gods to feel for his plight. Persephone told Orpheus that he could take Eurydice with him under one condition: Eurydice would walk behind him as they ascended to the land of the living, and Orpheus would be prohibited from looking behind him.

 

Orpheus understood the terms, but as he could not listen to Eurydice’s footsteps behind him, he believed the gods had fooled him. A few steps away from freedom, Orpheus turned to see his wife. This had dire consequences, as Eurydice was snatched away from him forever. The myth teaches the importance of self-control, obedience, and the danger of curiosity.

 

9. Pygmalion 

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Pygmalion by Jean-Baptiste Regnault, 1786, via Louvre

 

The tale tells of a master sculptor named Pygmalion who becomes enamored with a statue he has created. Pygmalion’s passion for his art is a reminder of the transcendent power of creativity, and it celebrates the transformative potential of artistic expression. Pygmalion creates a statue of such beauty and perfection that it captures his heart and soul. Consumed by his desire, he implores the goddess Aphrodite to bring the statue to life, even if it means defying the laws of nature. His passion is a testament to the all-consuming nature of desire, and the lengths humans will go to satisfy their deepest longings.

 

10. Atalanta

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The Race between Atalanta and Hippomenes by Nicolas Colombel, 1680, via Sotheby’s

 

In book 10, Atalanta is a powerful, independent woman who defied traditional gender roles and societal expectations. A skilled huntress, Atalanta was renowned for her beauty, strength, and prowess with bow and arrow. She was fiercely independent and refused to conform to the gender norms of her time, rejecting marriage and motherhood in favor of adventure and freedom.

 

Captured by her beauty, a group of suitors pursued her with the intent of marrying her. However, determined to remain independent, she challenged the suitors to a footrace promising to marry the man who could beat her. Many tried and failed, but Atalanta’s resolve was tested when a handsome and talented young man named Hippomenes entered the race. Hippomenes was determined to win Atalanta’s hand but knew he could not beat her in a footrace. Instead, he sought the help of the goddess Aphrodite, who gave him three golden apples. Hippomenes dropped the apples one by one during the race, causing Atalanta to slow down and ultimately lose the race.

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By Rhianna PadmanBA ClassicsRhianna is a Classics graduate from the University of Exeter. Her studies focused on Ancient Greek and Latin, allowing her to explore a range of ancient texts. She is especially interested in mythology, language, and psychology, with her dissertation focusing on applying Freudian psychoanalysis to Homer’s Odyssey.