Who Made the Statue of Christ the Redeemer?

The statue of Christ the Redeemer has been a monumental symbol of Brazil for nearly 100 years. But who actually made this colossal sculpture?

Oct 28, 2022By Rosie Lesso, MA Contemporary Art Theory, BA Fine Art

who made the statue of christ the redeemer

 

The impressive 38-meter statue of Christ the Redeemer has been standing tall over Rio de Janeiro in Brazil for nearly 100 years. It is located high on Mount Corcovado overlooking the city and has become a potent symbol of Brazilian Christian faith. The statue has been here since 1931, thanks to a dedicated team of artists, designers and engineers who all came together to make the image of Christ come alive. And their hard work paid off – in 2007, the Statue of Christ the Redeemer (also known as Cristo Redentor) made the New Seven Wonders of the World List. It also played a role in Rio de Janeiro’s UNESCO World Heritage status in 2016. But who were these incredible minds who pulled off this feat of engineering? Read on to find out more.

 

Heitor da Silva Costa, Engineer

christ the redeemer statue
Statue of Christ the Redeemer, Rio de Janeiro, Brazil.

 

In 1922, the Catholic circle of Rio decided to organize the construction of a huge Christ statue on a hill overlooking the bay of Rio de Janeiro. After receiving many proposals, the association eventually took up with the engineer Heitor da Silva Costa, and the artist Carlos Oswald, whose idea was to show Christ with arms outstretched, holding a cross in one hand and a large sphere in the other. Unfortunately, the public rejected Da Silva and Oswald’s ideas. Instead, the Archbishop of Rio commissioned Da Silva as deputy building owner of the project, asking him to oversee the construction of a colossal Christ statue by a group of artists, technicians and engineers. 

 

Paul Landowski, Sculptor

paul landowski christ redeemer statue
Paul Landowski with the head and hand of Christ the Redeemer in 1926, via New City Brazil

 

In 1923, Da Silva selected the renowned French-Polish sculptor Paul Landowski to design the standing figure for the statue of Christ the Redeemer. Building on Da Silva’s initial concept of Christ with arms wide open, Landowski proposes showing Christ as if confounded by the crucifixion cross, hands empty and palms open.

 

The Catholic circle approved his concept and gave Landowski complete freedom to design Christ’s body how he liked. He chose to dress his Christ in a long, folded tunic, with a cord at the waist, featuring Art Deco stye flat pleats. Landowski also designed the sculpture’s base to feature illustrations from the life of Christ. Once he had completed the design, Landowski carved the head and hands in real size out of clay. Transport issues made it impossible for Landowski to complete the body to full size – instead he produced a 4-metre-high sculpture as a starting point, to be extended once on site.

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Albert Caquot, Engineer 

soapstone tiles statue mosaic
Close up detail of Christ the Redeemer showing the prismatic mosaic of soapstone tiles making up its surface.

 

French engineer Albert Caquot stepped in at the construction stage for the final statue of Christ the Redeemer, conceiving the sculpture’s internal structure and the extension of the body in reinforced concrete. Caquot arranged for Landowski’s designs to be cut into cubes. The team then transported them from France to Brazil by boat. Caquot was there when all the fragments arrived on site, ready to be unpacked and rebuilt from concrete. On top of the concrete, workers coated Christ with 6 million soapstone tiles – some even wrote notes on the reverse of the tiles, meaning the sculpture is full of hidden stories, hopes, and dreams. It took the team five years of hard work to pull off this incredible feat of engineering.

 

Gheorghe Leonida, Sculptor 

christ the redeemer construction
Head of Christ the Redeemer on the building site, Rio de Janeiro, 1929, via New City Brazil

 

Finally, the Romanian sculptor Gheorghe Leonida carved the head and face in the statue of Christ the Redeemer, according to Landowski’s striking, angular and Art Deco designs. It was him who breathed the last stages of life into the figure of Christ. Together, this highly skilled team created a modern-day masterpiece that attracts millions of visitors every single year.

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By Rosie LessoMA Contemporary Art Theory, BA Fine ArtRosie is a contributing writer and artist based in Scotland. She has produced writing for a wide range of arts organizations including Tate Modern, The National Galleries of Scotland, Art Monthly, and Scottish Art News, with a focus on modern and contemporary art. She holds an MA in Contemporary Art Theory from the University of Edinburgh and a BA in Fine Art from Edinburgh College of Art. Previously she has worked in both curatorial and educational roles, discovering how stories and history can enrich our experience of the arts.